The Art and Science of Sacred Chanting

Thousands of years ago the rishi (seers) of ancient India created a culture wherein religion, art and science thrived in harmony. Music was known to be a divine art interwoven with the sciences of sound, psychology and mathematics. It was partially intended for pleasure and entertainment, but primarily intended to assist in our quest for Self-realization. The human voice was recognized to be the original and perfect instrument of sound. Nād Brahma, the sacred sound vibration, was recognized to have a potent effect on our entire being. The rishi discovered music’s effect on the body, emotions and consciousness. They deciphered various melodies and rhythms that could re-create the effects of the seasons and times of day. Various Raga were created to paint a sonic picture or connect to an emotion (rasa) or state of being (bhava) such as tranquility, love, happiness, courage. Connected to other yogic sciences and sadhana, the word for musician became bhagavatar, one who sings the praises of the Supreme.

Guided by experienced teachers and followers of this sadhana, we will explore the personal experience of sound and voice through learning and chanting Sanskrit verses, simple raga melody, and the devotional practice of Nāma Sankirtan—the musical repetition of the sacred names of the Divine. We will touch on the integration of bhakti yoga with raja yoga, on the internal and external experience of sacred music, and on the blending of devotion and concentration.